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CD
509990151492
Kammermusik
von Britten, Benjamin | Mork / Endellion / Hough / Bream
erschienen am 29.03.2013
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Inhalt
Reinhören | Track | Titel | Komponist | Interpret | Dauer |
---|---|---|---|---|---|
► | 1-001 | Rhapsody for string quartet (1929) | Komponist: Britten, Benjamin | Endellion String Quartet | 00:07:06 |
► | 1-002 | Quartettino (1930): I. Andante - Allegro molto e con fuoco | Komponist: Britten, Benjamin | Endellion String Quartet | 00:05:59 |
1-002-001 | 1. Andante - Allegro molto e con fuoco | 00:05:58 | |||
► | 1-003 | Quartettino (1930): II. Poco adagio ma con moto | Endellion String Quartet | 00:06:27 | |
1-003-002 | 2. Poco adagio ma con moto | 00:06:26 | |||
► | 1-004 | Quartettino (1930): III. Allegro molto vivace | Endellion String Quartet | 00:03:05 | |
1-004-003 | 3. Allegro molto vivace | 00:03:05 | |||
► | 1-005 | Elegy (1930) | Komponist: Britten, Benjamin | Garfield Jackson | 00:07:25 |
► | 1-006 | String Quartet in D: I. Allegro maestoso | Komponist: Britten, Benjamin | Endellion String Quartet | 00:05:29 |
1-006-001 | 1. Allegro maestoso | 00:08:17 | |||
► | 1-007 | String Quartet in D: II. Lento ed espressivo | Endellion String Quartet | 00:06:27 | |
1-007-002 | 2. Lento ed espressivo | 00:06:51 | |||
► | 1-008 | String Quartet in D: III. Allegro giocoso | Endellion String Quartet | 00:04:39 | |
1-008-003 | 3. Allegro giocoso | 00:04:39 | |||
► | 1-009 | Phantasy in F minor | Komponist: Britten, Benjamin | Nicholas Logie/Endellion String Quartet Viola: Logie, Nicholas | 00:10:59 |
► | 2-001 | Phantasy Op. 2 | Komponist: Britten, Benjamin | Douglas Boyd/Endellion String Quartet Violine: Watkinson, Andrew ... | 00:13:17 |
► | 2-002 | 3 Divertimenti: March | Komponist: Britten, Benjamin | Endellion String Quartet/Andrew Keener | 00:03:45 |
2-002-001 | Nr. 1 March | 00:03:45 | |||
► | 2-003 | 3 Divertimenti: Waltz | Endellion String Quartet/Andrew Keener | 00:02:45 | |
2-003-002 | Nr. 2 Waltz | 00:02:45 | |||
► | 2-004 | 3 Divertimenti: Burlesque | Endellion String Quartet/Andrew Keener | 00:03:22 | |
2-004-003 | Nr. 3 Burlesque | 00:03:21 | |||
► | 2-005 | Alla marcia | Komponist: Britten, Benjamin | Endellion String Quartet | 00:03:23 |
► | 2-006 | String Quartet No. 1 in D Op 25: I. Andante sostenuto | Komponist: Britten, Benjamin | Endellion String Quartet | 00:08:39 |
2-006-001 | 1. Andante sostenuto - Allegro vivo | 00:08:39 | |||
► | 2-007 | String Quartet No. 1 in D Op 25: II. Allegretto con slancio | Endellion String Quartet | 00:03:00 | |
2-007-002 | 2. Allegretto con slancio | 00:03:00 | |||
► | 2-008 | String Quartet No. 1 in D Op 25: III. Andante calmo | Endellion String Quartet | 00:11:28 | |
2-008-003 | 3. Andante calmo | 00:11:28 | |||
► | 2-009 | String Quartet No. 1 in D Op 25: IV. Molto vivace | Endellion String Quartet | 00:03:50 | |
2-009-004 | 4. Molto vivace | 00:03:50 | |||
► | 3-001 | String Quartet No. 2 in C Op 36: I. Allegro calmo senza rigore | Komponist: Britten, Benjamin | Endellion String Quartet | 00:07:51 |
3-001-001 | 1. Allegro calmo senza rigore | 00:07:51 | |||
► | 3-002 | String Quartet No. 2 in C Op 36: II. Vivace | Endellion String Quartet | 00:03:41 | |
3-002-002 | 2. Vivace | 00:03:40 | |||
► | 3-003 | String Quartet No. 2 in C Op 36: III. Chacony (Sostenuto) | Endellion String Quartet | 00:17:45 | |
3-003-003 | 3. Chacony: Sostenuto | 00:17:45 | |||
► | 3-004 | String Quartet No. 3 Op 94: I. Duets (with moderato movement) | Komponist: Britten, Benjamin | Endellion String Quartet | 00:05:24 |
3-004-001 | 1. Duets: With moderato movement | 00:05:24 | |||
► | 3-005 | String Quartet No. 3 Op 94: II. Ostinato (Very fast) | Endellion String Quartet | 00:03:01 | |
3-005-002 | 2. Ostinato: Very fast | 00:03:01 | |||
► | 3-006 | String Quartet No. 3 Op 94: III. Solo (Very calm) | Endellion String Quartet | 00:05:30 | |
3-006-003 | 3. Solo: Very calm | 00:05:30 | |||
► | 3-007 | String Quartet No. 3 Op 94: IV. Burlesque (Fast, con fuoco) | Endellion String Quartet | 00:02:16 | |
3-007-004 | 4. Burlesque: Fast, con fuoco | 00:02:16 | |||
► | 3-008 | String Quartet No. 3 Op 94: V. Recitative and Passacaglia 'La Srenissima' (Slow) | Endellion String Quartet | 00:09:50 | |
3-008-005 | 5. Recative and passacaglia (La serenissima): Slow | 00:09:49 | |||
► | 4-001 | Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente | Komponist: Britten, Benjamin | Truls M#rk | 00:02:18 |
4-001-001 | Canto primo: Sostenuto e largamente | 00:02:21 | |||
► | 4-002 | Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato | Truls M#rk | 00:04:00 | |
4-002-002 | 1. Fuga: Andante moderato | 00:03:59 | |||
► | 4-003 | Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato | Truls M#rk | 00:03:08 | |
4-003-003 | 2. Lamento: Lento rubato | 00:03:08 | |||
► | 4-004 | Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto | Truls M#rk | 00:01:11 | |
4-004-004 | Canto secondo: Sostenuto | 00:01:11 | |||
► | 4-005 | Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) | Truls M#rk | 00:02:13 | |
4-005-005 | 3. Serenata: Allegretto (pizzicato) | 00:02:13 | |||
► | 4-006 | Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato | Truls M#rk | 00:03:32 | |
4-006-006 | 4. Marcia: Alla marcia moderato | 00:03:31 | |||
► | 4-007 | Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto | Truls M#rk | 00:02:28 | |
4-007-007 | Canto terzo: Sostenuto | 00:02:28 | |||
► | 4-008 | Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo | Truls M#rk | 00:03:06 | |
4-008-008 | 5. Bordone: Moderato quasi recitativo | 00:03:04 | |||
► | 4-009 | Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto | Truls M#rk | 00:03:21 | |
4-009-009 | 6. Moto perpetuo e canto quarto | 00:03:32 | |||
► | 4-010 | Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo | Komponist: Britten, Benjamin | Truls M#rk | 00:04:30 |
4-010-001 | 1. Declamato: Largo | 00:04:30 | |||
► | 4-011 | Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante | Truls M#rk/Arne Akselberg | 00:04:43 | |
4-011-002 | 2. Fuga: Andante | 00:04:43 | |||
► | 4-012 | Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto | Truls M#rk/Arne Akselberg | 00:02:01 | |
4-012-003 | 3. Scherzo: Allegro molto | 00:02:00 | |||
► | 4-013 | Suite No. 2 in D for Solo Cello Op.80: IV Andante lento | Truls M#rk/Arne Akselberg | 00:05:36 | |
4-013-004 | 4. Andante lento | 00:05:36 | |||
► | 4-014 | Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro | Truls M#rk/Arne Akselberg | 00:07:03 | |
4-014-005 | 5. Ciaccona: Allegro | 00:07:14 | |||
► | 4-015 | Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento | Komponist: Britten, Benjamin | Truls M#rk | 00:02:35 |
4-015-001 | 1. Introduzione: Lento | 00:02:35 | |||
► | 4-016 | Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro | Truls M#rk | 00:01:47 | |
4-016-002 | 2. Marcia: Allegro | 00:01:46 | |||
► | 4-017 | Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto | Truls M#rk | 00:01:22 | |
4-017-003 | 3. Canto: Con moto | 00:01:21 | |||
► | 4-018 | Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento | Truls M#rk | 00:01:24 | |
4-018-004 | 4. Barcarola: Lento | 00:01:23 | |||
► | 4-019 | Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto | Truls M#rk | 00:01:43 | |
4-019-005 | 5. Dialogo: Allegretto | 00:01:43 | |||
► | 4-020 | Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo | Truls M#rk | 00:02:35 | |
4-020-006 | 6. Fuga: Andante espressivo | 00:02:36 | |||
► | 4-021 | Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico | Truls M#rk | 00:01:18 | |
4-021-007 | 7. Recitativo: Fantastico | 00:01:17 | |||
► | 4-022 | Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto | Truls M#rk | 00:00:58 | |
4-022-008 | 8. Moto perpetuo: Presto | 00:00:58 | |||
► | 4-023 | Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne | Truls M#rk | 00:09:50 | |
4-023-009 | 9. Passacaglia: Lento solenne | 00:09:45 | |||
► | 5-001 | Holiday Diary Op. 5: I. Early Morning Bathe | Komponist: Britten, Benjamin | Hough, Stephen | 00:02:07 |
5-001-001 | 1. Early morning bathe | 00:02:07 | |||
► | 5-002 | Holiday Diary Op. 5: II. Sailing | Hough, Stephen | 00:05:14 | |
5-002-002 | 2. Sailing | 00:05:14 | |||
► | 5-003 | Holiday Diary Op. 5: III. Funfair | Hough, Stephen | 00:02:39 | |
5-003-003 | 3. Funfair | 00:02:39 | |||
► | 5-004 | Holiday Diary Op. 5: IV. Night | Hough, Stephen | 00:06:58 | |
5-004-004 | 4. Night | 00:06:58 | |||
► | 5-005 | Three Character Pieces (1930): I. John (Poco allegro vivace) | Komponist: Britten, Benjamin | Hough, Stephen | 00:01:57 |
5-005-001 | Nr. 1: Poco allegro vivace | 00:01:57 | |||
► | 5-006 | Three Character Pieces (1930): II. Daphne (Poco andante grazioso) | Hough, Stephen | 00:02:07 | |
5-006-002 | Nr. 2: Poco andante grazioso | 00:02:07 | |||
► | 5-007 | Three Character Pieces (1930): III. Michael (Poco presto e molto capriccioso) | Hough, Stephen | 00:02:59 | |
5-007-003 | Nr. 3: Poco presto e molto capriccioso | 00:03:00 | |||
► | 5-008 | Night Piece (Notturno) (1963) | Komponist: Britten, Benjamin | Hough, Stephen | 00:05:22 |
► | 5-009 | Moderato and Nocturne (Sonatina romantica, 1940): Moderato | Komponist: Britten, Benjamin | Hough, Stephen | 00:04:40 |
5-009-001 | 1. Moderato | 00:04:39 | |||
► | 5-010 | Moderato and Nocturne (Sonatina romantica, 1940): Nocturne | Hough, Stephen | 00:02:51 | |
5-010-002 | 2. Nocturne | 00:02:53 | |||
► | 5-011 | Twelve Variations (1931) | Komponist: Britten, Benjamin | Hough, Stephen | 00:08:40 |
► | 5-012 | Five Walztes (Waltzes) (1923-5/1969): I. Rather fast and nervous | Komponist: Britten, Benjamin | Hough, Stephen | 00:01:07 |
5-012-001 | Nr. 1: Rather fast and nervous | 00:01:07 | |||
► | 5-013 | Five Walztes (Waltzes) (1923-5/1969): II. Quick, with wit | Hough, Stephen | 00:01:39 | |
5-013-002 | Nr. 2: Quick, with wit | 00:01:39 | |||
► | 5-014 | Five Walztes (Waltzes) (1923-5/1969): III. Dramatic | Hough, Stephen | 00:01:41 | |
5-014-003 | Nr. 3: Dramatic | 00:01:41 | |||
► | 5-015 | Five Walztes (Waltzes) (1923-5/1969): IV. Rhythmic; not fast | Hough, Stephen | 00:03:30 | |
5-015-004 | Nr. 4: Rhythmic, not fast | 00:03:30 | |||
► | 5-016 | Five Walztes (Waltzes) (1923-5/1969): V. Variations: Quiet and simple | Hough, Stephen | 00:02:56 | |
5-016-005 | Nr. 5 Variations: Quiet and simple | 00:02:58 | |||
► | 5-017 | Two Lullabies (1936): Lullaby | Komponist: Britten, Benjamin | Stephen Hough/Ronan O'Hora Klavier: O'Hora, Ronan | 00:03:19 |
5-017-001 | Nr. 1 | 00:03:19 | |||
► | 5-018 | Two Lullabies (1936): Lullaby for a Retired Colonel | Stephen Hough/Ronan O'Hora | 00:02:22 | |
5-018-002 | Nr. 2: Lullaby for a retired colonel | 00:02:22 | |||
► | 5-019 | Mazurka elegiaca Op. 23 No. 2 | Komponist: Britten, Benjamin | Stephen Hough/Ronan O'Hora Klavier: O'Hora, Ronan | 00:08:21 |
► | 5-020 | Introduction and Rondo alla burlesca Op. 23 No. 1: Introduction - | Komponist: Britten, Benjamin | Stephen Hough/Ronan O'Hora Klavier: O'Hora, Ronan | 00:03:21 |
5-020-001 | Introduction | 00:03:21 | |||
► | 5-021 | Introduction and Rondo alla burlesca Op. 23 No. 1: Rondo alla burlesca | Stephen Hough/Ronan O'Hora | 00:05:44 | |
5-021-002 | Rondo alla burlesca | 00:05:43 | |||
► | 6-001 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) | Komponist: Britten, Benjamin | Alexander Barantschik/John Alley Violine: Barantschik, Alexander | 00:00:43 |
6-001-001 | Introduction: Andante maestoso | 00:00:43 | |||
► | 6-002 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) | Alexander Barantschik/John Alley | 00:02:54 | |
6-002-002 | 1. March: Allegro alla marcia | 00:02:54 | |||
► | 6-003 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) | Alexander Barantschik/John Alley | 00:03:11 | |
6-003-003 | 2. Moto perpetuo: Allegro molto e con fuoco | 00:03:12 | |||
► | 6-004 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) | Alexander Barantschik/John Alley | 00:04:40 | |
6-004-004 | 3. Lullaby: Lento tranquillo | 00:04:39 | |||
► | 6-005 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) | Alexander Barantschik/John Alley | 00:04:30 | |
6-005-005 | 4. Waltz (Alla valse): Vivace e rubato | 00:04:30 | |||
► | 6-006 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) | Komponist: Britten, Benjamin | Moray Welsh/John Lenehan Violoncello: Welsh, Moray | 00:07:53 |
6-006-001 | 1. Dialogo: Allegro | 00:07:53 | |||
► | 6-007 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) | Moray Welsh/John Lenehan | 00:02:29 | |
6-007-002 | 2. Scherzo-Pizzicato: Allegretto | 00:02:29 | |||
► | 6-008 | Cello Sonata in C Op. 65: III. Elegia (Lento) | Moray Welsh/John Lenehan | 00:06:46 | |
6-008-003 | 3. Elegia: Lento | 00:06:46 | |||
► | 6-009 | Cello Sonata in C Op. 65: IV. Marcia (Energico) | Moray Welsh/John Lenehan | 00:02:18 | |
6-009-004 | 4. Marcia: Energico | 00:02:18 | |||
► | 6-010 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) | Moray Welsh/John Lenehan | 00:02:48 | |
6-010-005 | 5. Moto perpetuo: Presto | 00:02:50 | |||
► | 6-011 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) | Komponist: Britten, Benjamin | Roy Carter | 00:02:26 |
6-011-001 | 1. Pan (Senza misura) | 00:02:27 | |||
► | 6-012 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) | Roy Carter | 00:01:22 | |
6-012-002 | 2. Phaeton (Vivace ritmico) | 00:01:22 | |||
► | 6-013 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) | Roy Carter | 00:02:50 | |
6-013-003 | 3. Niobe: Andante | 00:02:50 | |||
► | 6-014 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) | Roy Carter | 00:01:52 | |
6-014-004 | 4. Bacchus: Allegro pesante | 00:01:52 | |||
► | 6-015 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) | Roy Carter | 00:03:14 | |
6-015-005 | 5. Narcissus: Lento piacevole | 00:03:14 | |||
► | 6-016 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) | Roy Carter | 00:02:26 | |
6-016-006 | 6. Arethusa: Largamente | 00:02:33 | |||
► | 6-017 | Nocturnal after John Dowland Op. 70: I. Musingly (Meditation) (Meditation) | Komponist: Britten, Benjamin | Bream, Julian | 00:02:13 |
6-017-001 | 1. Musingly: Meditativo | 00:02:16 | |||
► | 6-018 | Nocturnal after John Dowland Op. 70: II. Agitated (Molto agitatavo) | Bream, Julian | 00:00:55 | |
6-018-002 | 2. Agitated: Molto agitativo | 00:00:55 | |||
► | 6-019 | Nocturnal after John Dowland Op. 70: III. Restless (Inquieto) | Bream, Julian | 00:02:00 | |
6-019-003 | 3. Restless: Inquieto | 00:02:00 | |||
► | 6-020 | Nocturnal after John Dowland Op. 70: IV. Uneasy (Ansioso) | Bream, Julian | 00:01:32 | |
6-020-004 | 4. Uneasy: Ansioso | 00:01:32 | |||
► | 6-021 | Nocturnal after John Dowland Op. 70: V. March-like (Quasi una marcia) | Bream, Julian | 00:01:36 | |
6-021-005 | 5. March-like: Quasi una marcia | 00:01:36 | |||
► | 6-022 | Nocturnal after John Dowland Op. 70: VI. Dreaming (Sognanti) | Bream, Julian | 00:01:54 | |
6-022-006 | 6. Dreaming: Sognanti | 00:01:54 | |||
► | 6-023 | Nocturnal after John Dowland Op. 70: VII. Greatly rocking (Cullante) | Bream, Julian | 00:00:56 | |
6-023-007 | 7. Gently rocking: Cullante | 00:00:56 | |||
► | 6-024 | Nocturnal after John Dowland Op. 70: VIII. Passacaglia (Misurato) | Bream, Julian | 00:04:50 | |
6-024-008 | 8. Passacaglia: Misurato | 00:04:50 | |||
► | 6-025 | Nocturnal after John Dowland Op. 70: IX. Slow and quiet (Molto tranquillo) | Bream, Julian | 00:02:23 | |
6-025-009 | 9. Slow and quiet: Tranquillo | 00:02:29 |